逆风千里

简介：　　在第一次世界大战中，澳大利亚轻骑兵与英国军队一起，在巴勒斯坦和土耳其、德国联军作战，在加沙经历了两场战败后，英军准备向水源充足的贝尔西发动了进攻，这是土耳其军队的一座防守重镇，在那里勇敢的轻骑兵们谱写了人和马的传奇。　　贝尔西是土耳其、德国联军的重要阵地，占领此地对于英军来说至关重要。但贝尔西矗立在沙漠中，战士们要想在沙漠中作战，水源十分重要，即使战士们攻破此地，如果敌方毁掉水源，整个队伍仍然会全军覆没，加上土耳其军队防守严密，攻破贝尔西十分困难。　　经上级指示，鲍彻中校率领第四骑兵团支援前线，他们在军营中备战，离开家乡3年的士兵们，在练兵空闲时，常常会流露出对家人的深深思念。由士兵弗兰克、泰斯、斯克迪、韦斯组成的小分队，在战场上十分勇猛，他们的感情深厚亲如兄弟。　　弗兰克在一次任务中受伤，送往医院进行治疗，由于感染得不到控制而死去，兄弟们万分悲痛。组织上派来了一名新士兵戴夫代替弗兰克，泰斯对这个年轻稚嫩的新成员不太欢迎，对他在战场上的能力感到怀疑。但戴夫在平日的训练中向大家证明了自己的实力，不仅驾驭马的能力强，还是个神枪手，使得战友们十分佩服。　　第四骑兵团接到了上级的命令，去炸毁敌方铁轨，切断他们与外界的来往。这是戴夫第一次参加战斗，他们顺利成功的完成了任务，但巨大的爆炸声引来了敌方的军队，他们和敌人进行了一场激烈的枪战，就在士兵们，猛烈的向敌人开火时，戴夫没有发出一枚子弹，开枪打人对于他来说十分困难。小分队的成员，为戴夫的行为感到耻辱，认为他是个懦夫，不再理睬他。戴夫也感到内疚，他的哥哥死在战场，他不想看到有人在死，即使是敌人，他的这种心理障碍使他不能正常作战。　　在一次空袭中戴夫为了保护小分队成员的战马身受重伤，送往医院治疗，他向战友证明了自己并不是懦夫，并和小分队成员产生了深厚的情感。在治疗期间，他遇见了美丽的护士埃米，埃米对她无微不至的照顾，使两人擦出了爱情的火花。由于自己心理障碍无法作战，组织决定安排他去占地医疗队进行救护伤员，退出了一线战场。　　经过了组织上的周密安排，向敌方发出了假情报，在贝尔西即将上演一场斗智斗勇的大战，战场上敌我双方进行了一场激烈的战斗，看着兄弟倒下，在后方医疗队准备救援工作的戴夫冲到战场，为保护兄弟他用自己的身体挡住了敌方扔来的手雷，身受重伤。经过战士们英勇顽强的战斗，取得了此战的胜利，戴夫再一次证明了自己的勇气。　　战争过后，他和美丽的护士埃米过上了幸福的生活。

简介：　　公元前72年，古羅馬一段悲壯的奴隸抗爭故事交織出愛恨情仇……古羅馬奴隸斯巴迪格斯不堪暴虐的統治，決定率領其他奴隸發動起義，以圖推翻羅馬帝國暴政。這部三小時的史詩式鉅獻深刻反映人民追求自由的永恆鬥爭，場面之浩瀚、氣勢之磅礡，悲壯非凡

简介：　　电影讲述的是哈萨克斯坦可汗阿不赉成长的历程。影片采用旁述的形式，以恢宏的战争场面对我们娓娓道来：在无边无际的辽阔之地，从阿尔泰山到里海，远古就住着游牧的哈萨克民族，在这片土地上，一波又一波敌人倒下，在他们的身后留下灰烬和骨头，对他们来说最大的灾难。影片在努力定义哈萨克斯坦的民族意识形态，聚焦于如何让18世纪的哈萨克斯坦各部落团结起来一致对抗外来侵略。　　关于影片：　　中亚地区一向被认为是电影业的沙漠，中亚国家也有自己的电影业，但限于资金和技术和观念，很难拍出在世界上有影响力的影片。然而，最近一部名为《游牧战神》的影片，不仅创造了中亚电影的投资新纪录，影片场面也气势磅礴，情节感人。这部造价最高的中亚影片反映了一个哈萨克斯坦民族自豪感的主题，称得上是哈萨克的史诗巨片。　　（注：现在网上流传的为俄语配音版，汉语字幕又从俄语翻译，翻译很烂，历史都不懂。所以连流传的简介都是错误的。但仍掩盖不了原片的优秀。　　现列出翻译重大失误的几处：哈萨克人，译成哥萨克人，完全不相干的俩民族。这白痴家伙俄语学多了只懂俄国历史不懂亚洲历史了；ZHUNGAR：是蒙古准噶尔部，却翻译成了"真加尔"；这部片子的主角是哈萨克可汗阿不赉的成长经历,而翻译将其翻译成阿普拉.影片介绍更令人啼笑皆非的说成是哈萨克斯坦总统纳扎尔巴耶夫的成长经历）

简介：　　俄国战争期间，一支红军游击队遭到德国军队伏击，被困山林。游击队员索特尼科夫（BorisPlotnikov饰）和雷巴克（VladimirGostyukhin饰）奉命离开部队，寻找补给。两人穿过茫茫雪原，在某个信奉基督的村长（SergeiYakovlev饰）家中寻得一头羊。返回途中却因迷路与一小股德国士兵遭遇，枪战中索特尼科夫负伤，两人奋力逃脱，躲进一户人家。不久后三个白匪不期而至，并发现他们的行踪。　　成为俘虏的索特尼科夫和雷巴克被带入德国军营，共同面临着人生最大的考验……　　本片根据贝科夫的中篇小说《索特尼科夫》改编。

简介：　　《禁地》三个英国士兵在醒来后发现自己困在无人区，而更为麻烦的是无人区为德国管辖地界，故事由此展开.

简介：影片还原了斯基泰马萨格泰草原女王托米利斯击杀波斯阿契美尼德王朝国王居鲁士二世的历史传奇。托米莉斯命中注定将成为一名出色的斗士，然而成为传奇之前她不得不牺牲最亲近的人。

简介：2004年，美国在伊拉克的战争仍未有结束的迹象，而前方战士的伤亡则一直在增加……美国海军陆战队上校迈克（凯文·贝肯KevinBacon饰）接受了一项任务：护送一等兵钱斯的遗体回乡安葬，尽管迈克与钱斯素不相识，后者又并非他的下属，但参加过海湾战争的迈克认为有责任帮助这位科罗拉多同乡入土为安。与此同时，钱斯和战友们的遗体从欧洲的机场开始了回家之路，在凝重的氛围中，他们的遗体被仔细的清理、编号，小心翼翼的摆放在灵车中……经过了相关礼仪的培训后，迈克踏上了护送的路途，一路上，他感受到了形形色色美国民众对于战死他乡的战士的敬意，这不单是一次护送，同时也是迈克与死者的一次无声对话……

简介：　　二战期间，为避免整个欧洲落入纳粹魔爪，英国对纳粹德国宣战。一批批志愿者来到了英国，加入与德军战斗的队伍，年轻的南非空军上尉厄尔·柯克牺牲了和平幸福的家庭生活，自愿加入英国皇家空军。在一次执行轰炸任务中，飞机被击中，他和战友一起跳伞到纳粹占领地，德军党卫军对他们进行了搜捕，厄尔·柯克必须带领机组人员逃离纳粹的追捕，否则，等待他们的将是死亡…

简介：　　1931年“9·18事变”，东北三省沦陷了，正在上海积极从事抗日戏剧活动的田汉结识了东北流亡学生齐白山等人，并与这些热血青年成为了朋友，共同投身抗日救亡运动。“1·28”淞沪战争期间，田汉深感戏剧舞台不足以表现抗战，在夏衍的号召下，田汉等人毅然拿起摄影机，以电影武器，创作了一糸列爱国影片，同时他创作的爱国歌曲也不断问世。当他的朋友齐白山与义勇军伙伴相继为国捐躯的消息传来后，田汉在悲愤中为影片《风云儿女》写下了主题歌“义勇军进行曲”，鼓舞中国人民进行反侵略战争。这就是传唱至今的中华人民共和国国歌。

简介：小戏骨《洪湖赤卫队》是以王玉珍主演的《洪湖赤卫队》为蓝本改编，讲述1930年湖北沔阳县委为配合红军行动，暂时把赤卫队撤离彭家墩。彭家墩恶霸彭霸天趁红军转移暂离洪湖之际卷土重来。洪湖赤卫队在乡党支部书记韩英和队长刘闯的带领下，与敌人展开了艰苦曲折的斗争。韩英不幸被捕入狱。面对敌人的威逼利诱，韩英始终坚贞不屈。赤卫队最终打回彭家墩，消灭了保安团和地方反动武装，红旗又在洪湖上迎风飘扬。

简介：　　In1961,StanislawRozewiczcreatedthenovellafilm&quotBirthCertificate&quotincooperationwithhisbrother,TadueszRozewiczasscreenwriter.Suchbrothertandemsarerareinthehistoryoffilmbutasidefromfamilyties,Stanislaw(bornin1924)andTaduesz(bornin1921)weremutuallyboundbytheirloveforthecinema.TheywerebornandgrewupinRadomsk,asmalltownwhichhad&quotitsmadmenanditssaints&quotandmostimportanly,the&quotKinema&quotcinema,asStanislawrecalls:forhimcinemais&quotheaven,thewholeworld,enchantment&quot.Tadeuszsaysheconsiderscinemabothacharmingmarketstallandamysterioustemple.&quotAllthissavagelandhasalwaysattractedandfascinatedme,&quothesays.&quotIamdevouredbycinemaandIdevourcinemaI&#39macinemaeater.&quotButTadueszRozewicz,aneminentwriter,admitsthisuniqueformofcooperationwasaproblemtohim:&quotItisthepresenceoftheotherpersonnotonlyintheprocessofwriting,butatitsverycore,whichisinserperableformefromabsolutesolitude.&quotSomescenesthebrotherswrotetogetherotherswerecreatedbythewriterhimself,followingdiscussionswiththedirector.Butfromtheperspectiveoftime,itis&quotBirthCertificate&quot,ratherthan&quotEcho&quotor&quotTheWickedGate&quot,thatTadueszdescribesashismostintimatefilm.Thisisunderstandable.ThetradgeyfromSeptember1939inPolandwasfortheRozewiczbrotherstheirpersonal&quotbirthcertificate&quot.Whenworkingonthefilm,thedirectorsaid&quotThistimeitisallaboutshakingoff,gettingridofthepsychologicalburdenwhichthewarwasforallofus....Cooperationwithmybrotherwasinthiscaseeasier,aswesharemanywarmemories.Wewantedtoshowtoadultviewersapictureofwarasseenbyachild....Inreality,itistheadultswhocreatedtherealworldofmassacres.Childrenbeheldthehorrorscomingbacktolife,exhumedfromunderneaththeground,overwhelmingtheearth.&quot　　Theprincipleofcompositionof&quotBirthCertificate&quotisnotobvious.Whenwatchinganovellafilm,wetendtothinkintermsoftraditionaltheatre.WeexpectthataminiaturestorywillfinishwithasharppointthethreefilmnovellasinRozewicz&#39sworklackthisfeature.Wedonotknowwhatwillbehappentotheboymakinghisalonethroughtheforesttowardstheendof&quotOntheRoad&quot.Wedonotknowwhetherin&quotLetterfromtheCamp&quot,thehelpofferedbythesmallheroestoaSovietprisonerwillrescuehimfromtheunknownfateofhiscompatriots.ThefateoftheJewishgirlfrom&quotDropofBlood&quotisalsounclear.Willshekeephernewimpersonationas&quotMarysiaMalinowska&quot?OrwilltheNazismakeherintoarepresentativeofthe&quotNordicrace&quot?Thosequestionswereaskedbythedirectorforareason.Hepreceivedwaraschaosandperdition,andnotaslinearhistorythatcouldbereflectedinaplot.Although&quotBirthCertificate&quotissaturatedwithmoralcontent,itdoesnotaimtobeamoralityplay.Butwiththeimmensepressureofreality,novarientoffateshouldbeexcluded.ThisapproachedcanbecomparedwthKrzysztofKieslowski&#39s&quotBlindChance&quot25yearslater,whichpictureddramaticchoicesofadifferentera.　　Thefilmnovella&quotOntheRoad&quothasaverysparingplot,butitdrewspecialattentionofthereviewers.TheominatingovertoneofthewarfilmscreatedbythePolishFilmSchoolatthattimeshouldbekeptinmind.MainlyowingtoWajda,thosefilmsdealtwithromanticheritage.Theywerepermeatedwithpathos,bitterness,andirony.Rozewiczisanextraordinaryartist.Whennarratingastoryaboutaboylostinawarzone,carryingsomedocumentsfromtheregimentofficeasiftheywereatreasure,thenarratorin&quotOntheRoad&quotdiscoversroughprosewhereoneshouldfindpoetry.Andsuddenly,theirrationaltouchesthisrathertameworld.Theboy,whountilthatmomentresembledaPolishversionoftheGoodSoldierSchweik,setsoff,likeDonQuixote,forhisfirstandlastbattle.Acriticdescribeditas&quotanabsurdgestureandsomeoneelsecouldsurelyuseittocriticisethePolishstyleofdying....ButtheRozewiczbrothersdonoaccuse:theyonlycomposeanelegyforthepicturesquepeasant-soldier,probablythemostimportantveteranofthePolishwarof1939-1945.&quot&quotBirthCertificate&quotisnotaloftystatementaboutnationalimponderabilia.ThefilmrevealsaplebeianperspectivewhichAleksanderJackieqiczoncecontrastedwiththose&quotlyricallamentations&quotinherentintheKordiantradition.However,ahistoricaloverviewofRozewicz&#39sworkshowsthatthedistinctivestyledoesnotsignifyafundamentaldifferenceinillustratingthePolishSeptember.JustasthememorablescenefromWajda&#39s&quotLotna&quotwasinfactanexpressionofdesperationanddistress,thesameemotionspermeatethefinalsceneof&quotBirthCertificate&quot.Thesearenotideologicalconcepts,thoughoncedescribedassuchandferventlydebated,butratherpsychologicalcreations.Inthisspecificcase,observesWitoldZalewski,itisnotaboutmanifestingknightlypride,butaboutagestureofasimplemanwhodoesnotagreetobeenslaved.　　Thenovella&quotDropofBlood&quotis,withAleksanderFord&#39s&quotBorderStreet&quot,oneofthefirstnarrationsofthefateofthePolishJewsduringtheNazioccupation.Thestoryaboutagirlliterallylookingforherplaceonearthhasadramaticdimension.Especiallyintheageoftoday&#39sjournalisticdisputes,oftenmanipulative,lackinginempathyandimbuedwithbadwill,Rozewicz&#39sstoryfromthepastshockswithitsauthenticity.ThesmallherioneofthestoryistheonlyonewhosurvivesaGermanraidonherfamilyhome.Physicalsurvialdoesnot,however,meanareturntonormality.Herfrighteneddeparturefromtherubbishdumpthatwasherhideoutleadhertoaruinedapartment.Herwalkarounditispainfulbecausestillfreshsignsoflifearemixedwithevidenceofannihilation.Helpisneeded,butMirkadoesnotknowanyoneintheoutsideworld.Hersubsequentattemptsexpressthestateofthefugitive&#39sspirits-fromhopeandfaith,movingtodoubt,asenseofoppression,andthickeningfear,andfinallytodespair.　　Atthesametime,theJewishgirl&#39ssearchforrefugeresemblesthestateofPolishsociety.TheappearanceofMirkaresultsinconfusion,andlater,trouble.ThiswasalreadysignalledbyRozewiczinanexceptionalscenefrom&quotLetterfromtheCamp&quotinwhichtheboy&#39sneighbour,seeingafugitiveRussiansoldier,retreatsimmediately,admittingthat&quotNow,peopleworryonlyaboutthemselves.&quotSuchembarassingexcusesmaskfear.Duringtheoccupation,noonefeelssafe.Neithersocialstatusnottheaegisofacharityorganisationprotectsagainstrepression.WeseethepotentialguardiansofMirkapassingherbackandforthamongthemselves.Thesearefriendlyhandsbuttheycannotofferstrongsupport.Thestorytakesplaceonthatthinlinebetweensolidarityandheroism.Solidarityarisesspontaneously,butonlysomearecapableofheroism.Helpforthegirldoesnotalwaysresultfromcompassionsometimesitisbasedonpastrelationsandpersonalties(aneighbourofthedoctortakesinthefugitiveforafewdaysbecauseofpastfriendship).Rozewiczportraysallofthisinasubtlewayeventhesmallestgesturehassignificance.Take,forexample,theconversationwithastrangeronthetrain:short,asifjotteddownonthemargin,butsofulloftension.Andearlier,apeculiarexaminationofPolishness:the&quotHolyFather&quotprayerforcedonMirkabythevillageboystocheckthatsheisnotaJew.Wouldnotrisingtothechallengemeanadeathsentance?　　Viewedaftermanyyears,&quotBirthCertificate&quotdisclosesyetanotherqualitythatisnotpresentintheworksofthePolishSchool,butisprominentinlaterB-classwarfilms.Thisisthepictureofeverydaylifeduringthewarandoccupationoutlinedinthethreenovellas.Itharmoniseswiththelogicofspeakingabout&quotlifeafterlife&quot.SmallheroesofRozewiczsuddenlyentertherealityofwar,withnoexperienceorscalewithwhichtocompareit.Forthem,thepresentisanaturalextensionofandatthesametimeacompletenegationofthepast.Considerthesleeysmall-townmarketplace,throughwhicharmouredcolumnswillshortlypass.OrmeettheGermanmotorcyclists,wholooklikealiensfromouterspace-apicturetakenfromanautopsybecausethisishowStanislawandTadueszperceivedthefirstGermanstheyevermet.Notetheblurredsilhouettesofpeopleagainstawhitewallwhoarebeingshot-atfirsttheyareshocking,butsoontheywillprobablybecomeapartofthegrimlandscape.Inthecitycentrestandsaprisonercamponasoddenbog(&quotPeopleperishlikesfliesthebodiesaretransportedduringthenight&quot)inthestreetthechildernarerunningafteracoalwagontocollectsomepreciouspiecesoffuel.There&#39sabustlearoundsomefood(aboyreproacheshisyoungerbrother&#39sactionsbysinging:&quotThewarrantofficer&#39ssonisbegginginfrontofthechurch?I&#39mgoingtotellmother!&quot)andthekitchen,whichoneeveningbecomestheprosceniumofarealdrama.Andtherearethesymbols:abarofchocolateforceduponaboybyaWehrmachtsoldier(&quotOntheRoad&quot)apairofshoesbelongingtoZbyszek&#39sfatherwhichtheboyspontaneouslygivestoaRussianfugitiveapricelesssliceofbread,groundundertheheelofapolicemanintheguter(&quotLettersfromtheCamp&quot).Asthedirectorputit:&quotIneveryfilm,Icommunicatemyownvisionoftheworldandofthepeople.Onlythenthestylefollows,thedefinedwayofexperiencingthings.&quotInBirthCertificate,headds,hisapproachwasdrivenbythesubject:&quotIattemptedtocreatenotonlythetextureofthedocumentbutalsotoaddsomepoeticelement.Iknowitisriskybutasforthemergerofdocumentationandpoety,oftenhiddenverydeep,ifonlyitmanagestomakeitswayontothescreen,itresultsinwhatcanreferredtoas&#39art&#39.&quot　　After1945,therewerenumerousfilmscreatedinEuropethatdealtwithwarandchildren,including&quotSomewhereinEurope&quot(&quotValaholEuropaban&quot,1947byGezaRadvanyi),&quotShoeshine&quot(&quotSciescia&quot,1946byVittoriodeSica),and&quotChildhoodofIvan&quot(&quotIwanowodietstwo&quotbyAndriejTarkowski).Yettherewerefewerthanonewouldexpect.Pursuingasubjectsoimbuedwithsentimentalismrequiresstylisticdisiplineandaspecialabilitytomanagechildactors.Theauthorof&quotBirthCertificate&quotmasteredboth-anditwasnotbychance.StanislawRozewiczwasalwaysthebeneficentspiritofthefilmmilieuhecouldunitepeoplearoundacommongoal.Heemanatedpeaceandsensitivity,whichflowedtohisco-workersandpupils.Afilm,beingagroupwork,necessitatessomeformofempathy-tuninginwithothers.　　InabiographicaldocumentaryaboutStanislawRozewiczentitled&quotWalking,Meeting&quot(1999byAntoniKrauze),thereisabeautifulscenewhenthedirector,afterafewdecades,meetsBeataBarszczewska,whoplaysMireczkainthenovella&quotDropsofBlood&quot.Thewomanfallsintothearmsoftheelderlyman.Theyarebothmoved.Hewondershowmanyyearshavepassed.Sheanswers:&quotAfewyears.Nottoomany.&quotAndRozewicz,withhischaracteristicsmilesays:&quotItistrue.Wespentthisentiretimetogether.&quot

简介：二次世界大战期间，美国政府密令军方潜入一中立港口，摧毁德国军舰。既然是中立港口，英国军官路易斯庞和葛文瓦特决定，任何任务失败的人都需三缄其口，他们故意派出酒醉的老人假扮村民，这些老兵真能立大功顺利摧毁敌舰吗？